Unsung Episode Guide, Season 3 - Pazsaz Entertainment Network

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Teddy Pendergrass
In March of 1982, Teddy Pendergrass was arguably the most popular black recording artist in the world, and the first artist of any color to achieve five consecutive multi-platinum albums. He'd shot to stardom as the singer for Harold Melvin & the Blue Notes, putting his stamp on Gamble & Huff classics like ???If You Don't Know Me By Now,??? then elevating to even greater success on his own, to become an icon of romantic balladry, and a role model for seductive male singers that remains a defining image to this day. But a tragic car accident left Teddy paralyzed from the neck down, robbing him of the sexual appeal that had made his ???ladies only??? concerts so popular, and forever changing the character of his music, and his life. On this exclusive episode of ???Unsung??? we'll hear from Teddy's friends, his wife and children, his musical peers and closest associates, and learn how that accident changed Teddy from a vain, sexually charged seducer to a generous and thoughtful romantic.

Tammi Terrell
She had a record deal by the time she was 14. She was a featured vocalist with James Brown at 17. Berry Gordy signed her to Motown Records 3 years later. And in 1967 Tammi Terrell teamed up with Marvin Gaye to record a series of classic romantic hits ??? ???Ain't No Mountain High Enough', ???Your Precious Love', ???Ain't Nothin Like The Real Thing', and more - that remain the gold standard for romantic duets. Ironically, Tammi's actual love life was not nearly as perfect as the romance in her songs, and included abusive relationships with both James Brown and David Ruffin. And the magic of her career ended abruptly when she collapsed on stage from a brain tumor while singing with Marvin in the fall of 1967. But she refused to give in to her fate. Tammi underwent 8 surgeries over the next three years, and even returned to recording, before she died in 1974 at the age of 24. Her life was short, but full of passion, art, and courage, that will finally be told in its fullness on ???Unsung.???

Heatwave
In the late 1970's, when disco, funk, and soulful ballads ruled the dance floors, few bands could match Heatwave's range and originality. From the disco anthem ???Boogie Nights??? to the wedding classic ???Always and Forever???, Heatwave combined driving dance rhythms with creamy melodies to create a lasting sound and legacy. Their unique approach was in part the result of a remarkably international makeup: led by brothers Johnnie Jr. Wilder and Keith Wilder, from, Dayton, Ohio, Heatwave included a keyboardist from England, a drummer who'd fled from Czechoslovakia, a bassist from Spain, and a keyboardist, Rod Temperton, who not only wrote most of their material, but eventually became the songwriter behind some of Michael Jackson's greatest hits. With that kind of pedigree, Heatwave might have become superstars - but a series of violent and horrific tragedies, including a gunshot murder and a car accident that left Johnnie Wilder paralyzed from the neck down, doomed the band at the height of their powers.

Musical Youth
In November of 1982, five boys aged 11 to 15, hailing from Birmingham, England by way of Jamaica, shot up the worldwide pop charts with an irresistible reggae single called, "Pass the Dutchie." They toured the world, received a Grammy nomination and recorded with Stevie Wonder, Donna Summer and Eddy Grant. Four more singles charted in the UK. The world was theirs to conquer. But their 2nd album, made up mostly of toothless pop songs thrust on them by the record company, failed to resonate. Within two years, the band was gone. By 1994, one member was dead, another in a mental institution and a third was lost to the seedy Birmingham underworld. For music fans, there's further tragedy - the boys could play. All five were talented musicians who wrote much of their own music. Had they been nurtured properly, Musical Youth could have shed their boy band/novelty label and become full-fledged stars. On 'Unsung' the survivors tell their story, including two active former members - singer Dennis Seaton and keyboardist Michael Grant - along with the first interview that former guitar player Kelvin Grant - fiercely at odds with Seaton and with his own brother - has given in 15 years. "Two types of people get ripped off in the music industry,' Michael Grant says. ???Kids and black people. We were both."

George Clinton
In the intergalactic continuum of funk, the name best known by earth people and aliens alike is the Atomic Dog and Mothership Captain himself, George Clinton. Emerging from the most distant region in the galaxy (a home he calls Dog Star 9), this interplanetary traveler chose music as his language to communicate a message of love, respect and dance-floor artistry to earthlings the world round. His extraterrestrial brew of rock, soul, Motown and doo-wop made for a potent funk brew that became the recipe for two beloved 70's groups - Funkadelic and Parliament - both of which he helmed, and populated with musicians who would themselves become some of the brightest stars in the 70's and 80's, including Maceo Parker and Bootsy Collins. Clinton's own star blazed ever more brightly through the 80's, when hits such as ???Loopzilla' and ???Atomic Dog' shook dance floors in all quadrants of the known universe. An entire generation of rappers grew up with his music, and in turn, made his beats and grooves the DNA of Hip Hop. But bad business deals hounded Clinton from the outset, and with finances further diminished by a proclivity for mind altering chemicals, his earthly empire crumbled, leaving him all but destitute today. On this exclusive episode of ???Unsung,' George Clinton reveals the story of his long strange ride.

The Fat Boys
Funky, funny, and living large ??? literally - the Fat Boys became one of the most commercially successful groups of the 1980's. They helped take rap from the parks of NYC to worldwide acclaim and sales. Mark Morales, (Prince Markie Dee), Damon Wimbley (Kool-Rock-Ski) and Darren Robinson (The Human Beat Box, aka Buff) parlayed a feel good brand of humor, all-you-can-eat buffets and an infectious party style into their music. Guided by manager Charles Stettler, a Swiss born hustler and novelty record maker, and produced by Kurtis Blow, they grew into international superstars, with inventive remakes of songs like "Jailhouse Rap," "The Twist," and "Wipeout" ??? the latter a hit and video they performed with the Beach Boys. They would go on to influence a new generation of rappers like Heavy D., Notorious B.I.G. and Rick Ross, showing that big could be sexy. But the pressure to stay on top would cause rifts which would split the group apart and endanger their health - and ultimately contribute to the tragic death of Buff in 1995. Finally reunited, the surviving Fat Boys recount the joys and sorrows of their career for ???Unsung.???

Angela Winbush
When Angela Winbush came on the scene in the 1980s, she brought not only a powerful sultry voice infused with gospel roots, but also a versatile self-contained songwriting and producing talent at a time when few females, and even fewer African American females, were producing records at all. As one-half of Rene & Angela, and as a solo artist, she sold over ten million albums and singles worldwide. With a multi-octave voice heavily rooted in the church, this former member of Stevie Wonder's band Wonderlove developed a strong desire to control the creativity of her music, and the talent to back it up. In this revealing episode of ???Unsung', Angela provides candid details about the ups and downs of her career. While writing a string of hits for herself, she also wrote and produced for a range of artists including Janet Jackson, Stephanie Mills and the Isley Brothers. Along with all the musical highs, Angela faced dramatic challenges along the way: the breakup of a prolific partnership with Rene Moore, bitter lawsuits over music copyrights, a celebrity marriage and divorce from R&B icon Ron Isley, and a high-stakes battle with ovarian cancer. Through it all, she has used her church roots to maintain a fearless spirit that has carried her through.

Miki Howard
One of the great hit-makers of the 1980s and ???90s, Miki Howard is a torch singer extraordinaire with a jazzy touch. Born and raised in a musical family - both parents were celebrated gospel singers-- she burst onto the R&B scene with ???Come Share My Love' in 1986, a hit that climbed to number five on the charts. Miki went on to score a half dozen Top Five hits, including ???Ain??t Nuthin' in the World', ???Love Under New Management,' and ???Ain't Nobody Like You', while recording old school standards as well. A romantic duet with Gerald Levert, titled ???That's What Love Is' led to an intimate relationship that mirrored that song's dizzying passions. Miki's jazzy chops and smoldering good looks also won her a coveted role as Billie Holiday in Spike Lee's film ???Malcolm X', after which she recorded a tribute album to Lady Day. (Another album of jazz standards, ???Three Wishes' was nominated for a Grammy in 2001). But after that her career plummeted, as Miki??s personal life mirrored the emotional dramas of her songs-- hot romances and bad relationships, and subsequent struggles to make ends meet as a single mom with three kids. Now she's back on the scene, with a voice as strong as ever, and singing with a style that reflects her hard ??? won experience. ???Unsung??? celebrates the artistry, the trials and the triumphs of an effervescent diva with a golden touch.

The O'Jays
The O'Jays are an amazing case study in survival, both in the music business and in life. Formed in 1958 in Cleveland, Ohio, as the Triumphs, and later re-naming themselves after popular local disc jockey Eddie O'Jay, the group has endured in one form or another for five decades, always anchored by the instantly recognizable voices of Eddie Levert and Walter Williams. Following several minor hits in the 1960s (such as ???Lipstick Traces') the group struck gold in the 1970s in association with the great Philadelphia Soul record label producers Gamble&Huff, with songs that mixed romantic and social messages, such as ???Backstabbers,' ???For the Love of Money' and of course, ???Love Train.??? . But along with their artistic achievements, the individual members of the O'Jays have struggled with challenges that included Williams' quiet, decades-long battle with multiple sclerosis, and the untimely deaths of Eddie Levert's sons, Sean and Gerald. Still putting on a show after a half century of performing together, the O'Jays tell the inside story of their journey on ???Unsung.'

Rose Royce
Rose Royce emerged from South Central Los Angeles in the mid-1970s to become one of the top-selling groups of that decade. Nurtured by legendary Motown producer Norman Whitfield (Marvin Gaye, The Temptations, Gladys Knight), the group topped the charts with their first LP, a soundtrack for the movie ???Car Wash??? that sold three million copies and spawned such hits as ???I Wanna Get Next to You,??? ???I'm Goin Down???, and of course, the mega-successful title track. With vocalist Gwen Dickey leading the way, this nine member ensemble combined classy pop stylings ??? the name says it all??? with funky R&B riffs, a pop-funk blend that paved the way for Michael Jackson's breakthrough at the end of the decade. But after three consecutive platinum albums and lasting hits like ???Wishing on a Star??? and ???Love Don't Live Here Anymore???, both of which have since been widely covered, Rose Royce succumbed to the too-frequent stresses of overnight success. Dickey, not yet 20 when she joined in 1975, was so burnt out and disillusioned that she left the group at its peak ??? some band members say she was fired and refused to perform or record for years. As the group floundered, bassist Lequeint ???Duke??? Jobe, a musical phenom who was widely considered one of the top R&B bass players in the world, fell prey to drugs and wound up homeless and in jail. Despite it all, the core of Rose Royce has managed to stay together for 35 years, while Dickey has developed a successful solo career in the UK, where she has lived for the past two decades. Now they reveal their long, strange journey on ???Unsung.'

Sylvester
Sylvester James was the undisputed King and Queen of disco. He strove for fame, fortune and freedom during a time when it was highly unlikely for a large, openly gay, sometimes in drag, African American male to make it in the world of entertainment. But with a powerhouse falsetto voice to back him up, that's exactly what Sylvester did. On this ground-breaking episode of ???Unsung,??? Sylvester's family takes us to his childhood home and the church where it all began in Los Angeles, California. We visit his old neighborhood and the Palm Lane Church of God where he got his start in singing and performing in the choir, becoming a gospel sensation around town. But it was also here where Sylvester would learn that being ???different' was both a challenge and an opportunity for someone with courage and personal flair. Moving to San Francisco, Sylvester began his rise to stardom performing with a theater troupe which ultimately led to a recording contract. Gold albums, movie roles, and TV appearances followed. Then the glow faded as he endured the loss of close friends through the AIDS epidemic of the 1980s. Sylvester ultimately succumbed to the disease as well, while leaving a legacy of music which embodied a generation's determination to live their lives on their own terms. Now, through interviews with music colleagues such as Narada Michael Walden, The Pointer Sisters, Martha Wash and Jeanie Tracey, along with close family members and friends, ???Unsung' chronicles a music career which reached heights that few expected, but in retrospect was fully earned.

Stacy Lattisaw
She was a child star who was signed to a major label at the age of 12, and enjoyed a top ten hit a year later. Stacy Lattisaw was a charming teenager with the voice of a singer far beyond her years. She seemed to be living a dream, opening for and befriending Michael Jackson, and sharing songs and romance with another teenaged talent, Johnny Gill. But after a decade long career that produced thirteen albums and nearly two dozen charted singles like "Let Me Be Your Angel" and "Love on a Two-Way Street", Stacy abruptly turned her back on the music business and walked away - even as her farewell single "Where Do We Go From Here?" - a reunion duet with Gill - topped the R&B charts. Fans and music industry types were stunned, but family and friends were not so surprised. They knew the price she had paid for a decade at the top of the music business and how she'd fulfilled everybody's dreams... except her own. In this remarkably intimate portrait, Stacy Lattisaw reveals the drive and emotional forces that pushed her to stardom ??? and ultimately drove her away from popular music.

Bar-Kays
First rising to prominence as a house band for the legendary Stax record label, the Bar-Kays have survived 40 years, 27 albums, 25 members, 23 hits, a tragic plane crash, a stroke, a murder and at least five major shifts in Black music. By consciously adapting their style to the trends of the day and constantly tuning their voice to the will of the streets, they've managed to make hits in every prevailing genre: R&B, Soul, Funk, Disco, Techno and even Hip Hop. Many bands had greater hits, but none have earned greater longevity. The miracle is that this band nearly ended before it began, when all but two members ??? Ben Cauley and James Alexander - died in the plane crash that killed singing great Otis Redding. Yet those two members rebuilt the Bar-Kays into a remarkable hit machine ??? and never looked back ??? until this exclusive episode of ???Unsung.'